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The Best African Music Performance category at the 68th Grammy Awards was one of the most competitive and conversation-starting moments of the night. Packed with some of Africa’s biggest and most influential names, the category showcased the continent’s musical diversity and global reach.
The nominees were nothing short of elite:
source video: @calinisworldwide
When Tyla was announced as the winner, social media erupted. Accusations of industry favoritism, claims that she was an “industry plant,” and allegations that the Grammys were rigged quickly took over online discourse. But when emotions are set aside and the facts are examined, the outcome becomes much clearer.
There’s no denying that Davido remains one of the most popular African artists globally, especially in Africa and the UK. However, Grammy wins are not based purely on fan popularity or cultural dominance. The Recording Academy heavily considers measurable performance, global reach, industry impact, and chart statistics—and this is where Tyla stood out.
Across overall streaming numbers, Tyla’s Push 2 Start was significantly ahead:
That gap alone speaks volumes.
Spotify
YouTube
TikTok
This was the one platform that tilted public perception.
Despite Davido’s stronger TikTok presence, TikTok alone does not outweigh dominance across multiple platforms.
Shazam
Apple Music Charts
On the Billboard Afrobeats charts (USA), Tyla charted for multiple weeks and went a step further by debuting on the Billboard Hot 100 at No. 88, a major milestone that significantly boosts Grammy visibility.
Davido’s With You had a massive regional impact:
In summary, Davido dominated Nigeria and the UK, while Tyla broke deeper into the U.S. market, which remains the most influential territory for Grammy recognition.
Additionally, Tyla’s deal with Epic Records (Sony Music Entertainment) placed her in a strong global promotional and industry position, further amplifying her visibility during Grammy voting season.
In my opinion, the Best African Music Performance category could benefit from clearer distinctions. Tyla leans more into global pop, while artists like Davido, Burna Boy, Wizkid, Ayra Starr, and Tems are deeply rooted in Afrobeats and African soundscapes.
A category that prioritizes African chart dominance alongside global impact would give more room for artists who lead the continent culturally while still resonating worldwide.
Beyond the Grammys, Africa already has powerful platforms that deserve stronger support from the youth and the industry:
These platforms celebrate genres ranging from Afrobeats and Amapiano to Highlife, Kwaito, and Congolese Rumba.
If Africans invest the same energy into supporting these institutions, the global music industry will have no choice but to accord African awards—and African music—the respect they deserve.
At the end of the day, Tyla’s Grammy win wasn’t about favoritism. It was about numbers, reach, and timing—and by those standards, she was simply a step ahead.
source of image: @dailyexpresskenya